This harmless looking 3 inch CD does more damage than one might anticipate. The first impression of this album - that is to say the first minute or two - sounds like any other mundane noise act. The white noise, however, very quickly evolves into several different ideas, from what sounds like shopping carts in an empty parking garage to duck calls with a clarinet. Believe me, it's all there.

KILT exploits the 3 inch format to the fullest, filling the full 21 minutes with their brutal sound. And although the music on the album is definitely grim and earsplitting throughout, this Brooklyn group with Bob Bellerue as the pilot, seems to pay more than just subtle attention to composition in the midst of this noise collage. The fact that the transitions between crucial moments, on the first and only track are rather abrupt, does not take away any of the spontaneity or momentum it has built up up in the first 10 or so minutes.

“Vaya Con Nada” has a handful of climatic moments when it does more than just surprise and bewilder, when the electronic and the organic sounds meddle with each other to achieve non-conventional and alien harmonies (no matter how inharmonious they actually sound, when they exit the speakers). 7/10 -- Tobias Corell (3 March, 2009)